Measuring Minimum And Maximum Bandwidth Consumption

If you are only going to do 2, those would be it. The strobe light test (as long as the strobe is moving fast) should simulate the bandwidth impact of a high motion scene.

The third one I would add is low light. Go under 1 lux and measure bandwidth. This will show how the camera's gain settings and encoding change in this extreme conditions. A lot of camera's bandwidth consumption blows up in this scenario and can create nasty surprises. When doing so, make sure you adjust the shutter speeds to be normalized and/or appropriate for your scenes. See our indoor camera shootout for charts and examples of bandwidth tests.

Here's one chart from that report:

Tiago,

You also might try covering a very dark area or pure black with AGC disabled. My experience is that high brightness also tends to kick up the bitrate, although low light bitrates using AGC are even higher, due to AGC noise.

And if you aim the camera at a white wall you also capture nothing and the image will also be totally worthless. Ipso facto.

Yes, but it is also likely to run at a higher bitrate than a camera with no light and no noise (typically amplified by AGC). He wants the minimum. I contend my method will give him that, while all white won't.

Lens cap on plus AGC = a boatload of noise, accompanied by high bitrate. Lens cap on plus AGC Off = minimum bitrate. Yes, I agree.

To be fair, "Sens up" and DSS should also be "Off".

I don't know if this suits your purposes (what kind of "maximum" you are looking for), but if the particular cameras offer it you could also send completely uncompressed (raw) video. It's been a few years since I fiddled with this, but it was something we used to do with new models of IP cameras to get a "worst case" continuous maximum bandwidth consumption.

Mostly we did it not for assessing bandwidth use, but for stress testing network gear and VMS systems.

Many low end newtork switches have low processing capacity, such as a switch with eight 1 GB ports and a 2 GB processing capability. You could only max out any one port at a time with a continuous high-bandwidth stream. As you already know, most computer networks have bursty traffic patterns, which is not the case with most surveillance video.

Tiago, awesome, thanks so much for sharing! We've seen the same pattern for M vs P series (like in our indoor shootout). I am actually beginning to wonder how general a pattern is this of entry level, smaller imager camera, color only cameras vs professional, high end ones. Is there a consistent significant difference in bitrate? It something that I definitely want us to try out in future testing.