Help Me Get Good Sound Recording With My Video

Hello everyone

Im using a Axis Q1604 camera mounted in the back of a church about 50 feet away from the Pastor. Using it for live Streaming. Im not getting very good sound with the internal mic with dB all the way up. So im looking at Louroe and placing a varity of verifact mics around the church. Im wondering if there might be better solution that is easier. Their existing sound...

** *** ****** ** ****** *** ** *** **** **** have * ******** *** ******* *** ****** ***** ****. **** don't **** * ******* *****.

********* ** *** **** **** **** * ***** *** **** streaming *** *** *** ******* *** *****. ** ******** ** time *** ***** ** ***** ** * ******.

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*'* **** ***'** ***** ******* ***** ***** * *** **** ** *** ***** ** fidelity ** ***** **. ** **** ***, ************ **************, *** **** '************ ****' ******** **** *** ***** ** pick ** ************(**: ***** ******** ******), *** *** ********* **** ***** ** music.

**** * ** **********: **** ** *** ** ******* *** expense ** ****** ** ******** *** ** **** ******, ** probably ***'* ***** ** ***** ** **** *** ***** ** the **** ****** ******* * **********, ********** ** *** **** is ***. *** ****** *** *** *** *** *** ** the ******, *** ****** *** ****** **** **.

**** **** ****: ********** * *** ** *** ***** ** straightforward. *** ******* ** **** ****** ***** **** ****:

**** **** '**' **** ******** *** *.*** ****-*** **********. ***** **** **** ***** * ******* **** *********** ******** ********* ** ** **** camera ** **** ***:

* ** *** **** *** *** ********* ******** *** *** using **** ****** ***** ******* ** ***** *******, *** * know **** ***** ****** **** *** ****** **** ** ********** improved **** *** ***** ******** ***.

**** **** ****?

**, *** *** *****!

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*. *** ***** ** * ****** *** *** **** ***** is **** *** *** *** **** ****** ****** *** *** is ** ******* *** ***** *******. ** *** *** ****** for * **** *** ***** ***.

*. *** ****** ******* ** ***-*********** ******, *** ***** ***. if **** *** **** *****. ** *** *** ******* ** pick ** * ******* **** * ********, *** **** * more *********** *** (***** ******** ******** ***, *** ***** *** same ****).

*** ******* ****** **** ****** ******* *** ***** ** ** mainly ******* **************. * ***** ****** ***** ******** *** **** ********* ** the *** *** ******* *** ******* *****,**** ****** ***** ************** ** ****.

*** * ****** *********** ***, **** * ******* *** ** it ** ** *** ******.

***** *** *******(****** ***** * ******** ***); ******** ***** ****** various ********* *****-** ****** ***** ***** *** ***** ** *** corners.

*** * ***-*** ****** ** * *** **** ******* **-********.

*** *** ***** ** ** ***** *** *** *** ***, but * ****** ***** *** ******** ***** ******* ** ***** the ***** *********?

*** *********, ******** ********** ***-****, **** ** ** ****** ***** a *********** *** ***** ** **** **** ******* ******** ** the **** ** *** *******.**** **** ******* **** ***** ****** ******* *******!

*** *** **** ***** * **** ****** ********** **** **** is **********-****, *** *****-*********** *** ***** ***** **** ******. ** **** comes **** * ****-*** **** **** **** ***'** **** ** use.

*.*. *'* ******** **** *** *** ******** ** *** * wireless ***** *** ****(****), **** *** ***** *** *** ****** mic *** *** * * ***** ** ******* *** ******,******** **** *** ** ***** ****** *** ******* *****...

***** *** ***** ****** **** ****** ***** *******(******,******), *********, *'* **** ******** ** **** *** *********.

*** ** **** ** *** **** *** *********.

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*'** ***** ** ** ************** ******* **** *** **** ** a ******.

* ** *** ** **********, *** * **** ** ***** what *** *** ******* ** *******. *******, *** *** * recommended **** $**. **** ** ***** ********** ***** *******, *******, shotgun *** ******** **** *** **** ******* *****!

******** * *********** *** ** * ******* *** ** * good, ********* ********. *******, ******** ***** ** ** *****, *****?

********** *** ***(*) **** ************ *** $**, *** *** *'* ************ ** only $** *** ** *** ****** ******** ** ******** ****** its ******-**** ***** ****** ** ****. * *** ****. * didn't *** ******** ***** *******.

**** **** *** ******.

******** ** *** ** ***** ******* *** *** ********* *** does *** '****' *** *******.

***** ****. ****** *** *** **************!

** *** ****** ** ** *** **** ** *** ******, I ****** ***** *** * ****** *********** ***. * ******* mic (* **** ************ ** ** ***** ****) ****** ** *** ***. ***'** have ** *** ****** **** ******* *****, ******, **** ****** **-****, ** ***** **, *** **** ******* *'* *** ***** Axis' ******** *** ****** *** **** **** ** *********.

** *** *** ********* *************** ***'** ***** ** ** ******* up ****** *** ******** *** ***'** **** * *** ** clarity.

* ***** **** *****, *** * ************ ***** ***. * undersand **** ** * ****** *** ***'* ****** **** **** using *** ***** ******* *** ******. *** *** *** * small *****/*** *** *** $**. * **** **** *** **** Behringer **** * ****** **** * ***** ***** *****. **** in *** ***, * *** **** * ***** ** ****** interrogation *****. * **** * *****, ***-***** ****** **** **** cancellation. * *** *** ******* ***** *** **** * **** one, *** ********* ****** **.

*** ***** ************* **** ****'* **** ********* ** ****, ** you *** * *** ** *** **** ** *** ******, there **** ** * ****-***** ****** *** ***** **** **** to *** ******** ****** *** ***** - ** **** ******/*** position **, ***, ***' **** *** *****, ***** **** ** a ***** ***** ** *** ***** ******* - ****** ** be ********** *** ******** * ****** ************* ** ***** ********, but *** ****** *** **** ****** ** ***** *** ***** finger ** *** **'* *************. *** ****** *** *** *** be ** *** *****, *** **** **** **** ** * factor.

******* **** * ******* *** **, **** ** **** ** surveillance *****, ***'** ******* *** *** ******* *** *******: *** more *********** *** ***, *** **** ******* *****, *** *** more ********* *** *** *******. *** ***** ***** *** ***** at *** ******, *** ** **'* *** *********, ***'** ***** to **** ***** ** *** ******* ***** ******. **'* **** having * ***** **** ** *** **** **. * **** shot; ****** **. ********.

******* ** ** *** ***** ***** ****, **** **** *** may ** ** ********* * ***** ***** ** **** ****, and *** *** ***** ******** ******** ****, ***** ****** *** presumably ******* ******** **** *** ********* ** ***** ******* ****** (one **** ***** *** **** ** ***** **).

*** ***** ******, ****** *** *** ********, ** *** ************** PZM (******** ****, ** ********) ********** ******** ** ** ***** the *****. ****'** **** **** ** ****-***** ****** ******* ******* up "******" ***** (**** ****** ********, ** ** ** ******** ON *** *****), **** ***'* ****** **** "********* ******" (***** up-close ******* *** "*****"), *** ****** ******* *** ** ***** using *** *****-********* ******** **** * ***** ***. **** ** the ***, ***** ***** **** ** **** ***** ******* ******* (under ***** *** ********* *****) *** ****** $***; ** **** a ****** ** **** ** *** ** ****** *** **** were ********* *** *** ***** ** ******.

****** *** *** *** *******. * ***** *** *** *** your ***** *** ***********. ***** **** **** *** ***** ***** table **** ** ***** *** ***** **** ** **** ****. We *** ** ******* ** ***** ****** ***** ** ***** out ** *** ******* ******. **'* *** **** *** * could *** ** ****. ** **** ****** **** ****** *** i *** ** **** *** ***** **** *** *** *** up ** **.* ** ** **** ***** ********. *** **** had ** **** ** ***** ******* ****** ******* *** *** way ** ** *** *****. *** **** ***? **** ** find *** **** **** **** ***** ****** **** **** ***** already. ** *** ****** **** **** **** **** ** ***** bad. ** *** ** ******* *** * *** ***** *** them. ***** **** **** ** ********* ********** ** *** **** ** ***.

** ** ******* * ***** ** *** ***** ** **** not **** ** **** **** ********* ** ****? *** **** don't **** ** *****.

@****:

***' **** *** *****, ***** **** ** * *****

*. * **** ****** ** **** *** ***** * **** sound ******* ** * **/* ****, **100 **. (Ok 1.12 ms, but every studio hand knows it as 1 for 1). If point #6 is followed there might 10 ms.

*. ** *** ******** ****, *****'* *** *** **** ****** placement ** *** **** *** *****trial *** ***** or sound survey, and last I checked they require seperate ***** *******.

*. **** ******* ** ** ** ******** ***/ ****** ***** be ***** *** *** ** ****** ** *****this *** ***********. But of course if he ******* **[****: *** ** ***** **** ** *** ** ********! *****!]** ******** ***** **** ***** ******.

*. ** *** *** ******* *** ** *** ***********, *** are ******** **** * ***** ***,audio *** * ****, **** ***** **** ** ********** so much so that at 50 feet it would envelope the whole stage. Perhaps Prof. Carl has a textbook he has written to back me up.

*. ********* ****** **unlikely ** ******** ** *** of the proposed solutions due to a shortage of .... proximity.

*. ******, ** *** *** **** ****** ** *****/**** ** critical ** ** *** * ***, *** ****** *** ***** enough ** * ******* ** *** ****** **** *****.

***** ***** ** ** *** ***** ***********-****, **** **** **** ********. *** ***** * ******* ***** I **** *** * ***** ******.

* **** ****** ** **** *** ***** * **** ***** travels ** * **/* ****, **100 **. (Ok 1.12 ms, but every studio hand knows it as 1 for 1). If point #6 is followed there might 10 ms.

****, ***** *** ***... **** ** **** ***** *'** ****** with ***** ******, * ****** *** *-***-* **** *** ******* a ***** ****** ********** **** ***** ** ****** ********** *** meters ** ****** **** *** **** **.

******... **'* ***** ****** ** * ***** **** ** ***** feel "***" ** **** ******.

** **** "***" **** ** *** **** ******** ***** *** is, ** ******** ** ******* ** *** *** ** *** camera *****?
******* **** **** * **** ***** ***** ********* *** ** that ***** *** *** ***** *** ***** ** *** *****.

*** **** *** * **** ****** **** ******* **** ** (as ** ******). *** ********** *** *'** ***** ***** ****** be ** **** **** ** ** ****** *** ** **** than ** ** *****.

*

*** **** **** *** *** *** ** ** **** **... point **, ** *** *** ** *** *** ****, *** audio **** ** ******** ****** *** *****, *** ** **** seem ***** ** ****** ********. ****, ******** * ***** ** VLC, ** * ****** *** ***** ** **** **** ***** 20ms ****** ***, ** ***** ***** - ****** *** *******, but ***** ***** ***'* ***** ***** ***** ******, ****** ****** it **** **** ** ********** ***** *** *****....** ********* **** ****.

*** **** **** *** *** *** ** ** **** **...

** **** **** *** *** ******** ** **** **** ** a *** ****** ** *** ***** ********, "***, *** ***** seems ***" ?

** ****** *** ******* **** **** ******* *** ***** ** lag ***** ** *** *** **** **** *** *** ****** is, *.*. **** ***. *** ** * ******* *** *** might **** ******* *** ***** ******* **** *** *** *******. It's *** **** ** ******-*********. ** *** **** *** *** camera ***** ** ***** ** *** * ******* ******** **** the *****.

* *** *** *** *** ***** *** (**** **) *** wants *** **** *** ****** ** *** ****** ** *** room **** ** *** ****** **** ** *** ** *** to *** ****. ** ****** *****'* ******. ***** ******-*********.

*** ***** ** *** (***** **** ** ********) ******* *** audio **lag 20ms, (on a known in-sync track of course), watch for 10 minutes without a/b'ing anything, you might think its ok then. If not it sucks for you like perfect pitch can! Out of sync stuff bothers me too but not til >50 ms

******!

*** *** *** * ******** ******* ***** ********* ** *** streaming? ***** ******** ***** ****** **** **** ************* *** *********** and **** **** ****.

**** **** **** *** *** ***** *** (******** ***** ******) compression ***** ** ******* ** ****** ********. ** **** ************-***** cameras, *** **** ****** ** *.*** *********** (*********************), ***** ** **** ******* ** **** (*********) ********. ** this ****** *** ** **** * ******, *** * ***'* remember *** *******.

**** *** *** ******* ****** ********* (** ***) *** *** if **** ***** * ********* ********** ** *******.

******

** ** ***. *** * ******* *** ********* ** **. I **** *** ** **** ** **. ** ***** **** to **** **** ******.

** ***** **** ***** ** ****** ** *** ** *** highest. ****** ***** ***** ******, ** ** ***** ** ******. The *** **** **** ** ******, *** ******* ******** ** the ***** ******.

***'* ****** * *********-******* *****. ***** *** *** *********** ******* cameras **** *** ************ *** ***** **** *** **********.