Help Me Get Good Sound Recording With My Video

Hello everyone

Im using a Axis Q1604 camera mounted in the back of a church about 50 feet away from the Pastor. Using it for live Streaming. Im not getting very good sound with the internal mic with dB all the way up. So im looking at Louroe and placing a varity of verifact mics around the church. Im wondering if there might be better solution that is easier. Their existing sound setup is not really an option due to the fact they have 3 separate mic systems not always being used. They don't have a central Mixer.

Wondering if you guys have done a setup for live streaming and how you handled the sound. Im donating my time and mtrls so price is a factor.

Current Setup

Camera Q1604

Axis Streaming Assistant

Adobe FLME 3.2

LiveStream

Thank you for any help you could provide.

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**** **** ****: ********** * *** ** *** ***** ** straightforward. *** ******* ** **** ****** ***** **** ****:

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* ** *** **** *** *** ********* ******** *** *** using **** ****** ***** ******* ** ***** *******, *** * know **** ***** ****** **** *** ****** **** ** ********** improved **** *** ***** ******** ***.

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*** * ****** *********** ***, **** * ******* *** ** it ** ** *** ******.

***** *** *******(****** ***** * ******** ***); ******** ***** ****** various ********* *****-** ****** ***** ***** *** ***** ** *** corners.

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*** *** ***** ** ** ***** *** *** *** ***, but * ****** ***** *** ******** ***** ******* ** ***** the ***** *********?

*** *********, ******** ********** ***-****, **** ** ** ****** ***** a *********** *** ***** ** **** **** ******* ******** ** the **** ** *** *******.**** **** ******* **** ***** ****** ******* *******!

*** *** **** ***** * **** ****** ********** **** **** is **********-****, *** *****-*********** *** ***** ***** **** ******. ** **** comes **** * ****-*** **** **** **** ***'** **** ** use.

*.*. *'* ******** **** *** *** ******** ** *** * wireless ***** *** ****(****), **** *** ***** *** *** ****** mic *** *** * * ***** ** ******* *** ******,******** **** *** ** ***** ****** *** ******* *****...

***** *** ***** ****** **** ****** ***** *******(******,******), *********, *'* **** ******** ** **** *** *********.

*** ** **** ** *** **** *** *********.

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*'** ***** ** ** ************** ******* **** *** **** ** a ******.

* ** *** ** **********, *** * **** ** ***** what *** *** ******* ** *******. *******, *** *** * recommended **** $**. **** ** ***** ********** ***** *******, *******, shotgun *** ******** **** *** **** ******* *****!

******** * *********** *** ** * ******* *** ** * good, ********* ********. *******, ******** ***** ** ** *****, *****?

********** *** ***(*) **** ************ *** $**, *** *** *'* ************ ** only $** *** ** *** ****** ******** ** ******** ****** its ******-**** ***** ****** ** ****. * *** ****. * didn't *** ******** ***** *******.

**** **** *** ******.

******** ** *** ** ***** ******* *** *** ********* *** does *** '****' *** *******.

***** ****. ****** *** *** **************!

** *** ****** ** ** *** **** ** *** ******, I ****** ***** *** * ****** *********** ***. * ******* mic (* **** ************ ** ** ***** ****) ****** ** *** ***. ***'** have ** *** ****** **** ******* *****, ******, **** ****** **-****, ** ***** **, *** **** ******* *'* *** ***** Axis' ******** *** ****** *** **** **** ** *********.

** *** *** ********* *************** ***'** ***** ** ** ******* up ****** *** ******** *** ***'** **** * *** ** clarity.

* ***** **** *****, *** * ************ ***** ***. * undersand **** ** * ****** *** ***'* ****** **** **** using *** ***** ******* *** ******. *** *** *** * small *****/*** *** *** $**. * **** **** *** **** Behringer **** * ****** **** * ***** ***** *****. **** in *** ***, * *** **** * ***** ** ****** interrogation *****. * **** * *****, ***-***** ****** **** **** cancellation. * *** *** ******* ***** *** **** * **** one, *** ********* ****** **.

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******* ** ** *** ***** ***** ****, **** **** *** may ** ** ********* * ***** ***** ** **** ****, and *** *** ***** ******** ******** ****, ***** ****** *** presumably ******* ******** **** *** ********* ** ***** ******* ****** (one **** ***** *** **** ** ***** **).

*** ***** ******, ****** *** *** ********, ** *** ************** PZM (******** ****, ** ********) ********** ******** ** ** ***** the *****. ****'** **** **** ** ****-***** ****** ******* ******* up "******" ***** (**** ****** ********, ** ** ** ******** ON *** *****), **** ***'* ****** **** "********* ******" (***** up-close ******* *** "*****"), *** ****** ******* *** ** ***** using *** *****-********* ******** **** * ***** ***. **** ** the ***, ***** ***** **** ** **** ***** ******* ******* (under ***** *** ********* *****) *** ****** $***; ** **** a ****** ** **** ** *** ** ****** *** **** were ********* *** *** ***** ** ******.

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** ** ******* * ***** ** *** ***** ** **** not **** ** **** **** ********* ** ****? *** **** don't **** ** *****.

@****:

***' **** *** *****, ***** **** ** * *****

*. * **** ****** ** **** *** ***** * **** sound ******* ** * **/* ****, **100 **. (Ok 1.12 ms, but every studio hand knows it as 1 for 1). If point #6 is followed there might 10 ms.

*. ** *** ******** ****, *****'* *** *** **** ****** placement ** *** **** *** *****trial *** ***** or sound survey, and last I checked they require seperate ***** *******.

*. **** ******* ** ** ** ******** ***/ ****** ***** be ***** *** *** ** ****** ** *****this *** ***********. But of course if he ******* **[****: *** ** ***** **** ** *** ** ********! *****!]** ******** ***** **** ***** ******.

*. ** *** *** ******* *** ** *** ***********, *** are ******** **** * ***** ***,audio *** * ****, **** ***** **** ** ********** so much so that at 50 feet it would envelope the whole stage. Perhaps Prof. Carl has a textbook he has written to back me up.

*. ********* ****** **unlikely ** ******** ** *** of the proposed solutions due to a shortage of .... proximity.

*. ******, ** *** *** **** ****** ** *****/**** ** critical ** ** *** * ***, *** ****** *** ***** enough ** * ******* ** *** ****** **** *****.

***** ***** ** ** *** ***** ***********-****, **** **** **** ********. *** ***** * ******* ***** I **** *** * ***** ******.

* **** ****** ** **** *** ***** * **** ***** travels ** * **/* ****, **100 **. (Ok 1.12 ms, but every studio hand knows it as 1 for 1). If point #6 is followed there might 10 ms.

****, ***** *** ***... **** ** **** ***** *'** ****** with ***** ******, * ****** *** *-***-* **** *** ******* a ***** ****** ********** **** ***** ** ****** ********** *** meters ** ****** **** *** **** **.

******... **'* ***** ****** ** * ***** **** ** ***** feel "***" ** **** ******.

** **** "***" **** ** *** **** ******** ***** *** is, ** ******** ** ******* ** *** *** ** *** camera *****?
******* **** **** * **** ***** ***** ********* *** ** that ***** *** *** ***** *** ***** ** *** *****.

*** **** *** * **** ****** **** ******* **** ** (as ** ******). *** ********** *** *'** ***** ***** ****** be ** **** **** ** ** ****** *** ** **** than ** ** *****.

*

*** **** **** *** *** *** ** ** **** **... point **, ** *** *** ** *** *** ****, *** audio **** ** ******** ****** *** *****, *** ** **** seem ***** ** ****** ********. ****, ******** * ***** ** VLC, ** * ****** *** ***** ** **** **** ***** 20ms ****** ***, ** ***** ***** - ****** *** *******, but ***** ***** ***'* ***** ***** ***** ******, ****** ****** it **** **** ** ********** ***** *** *****....** ********* **** ****.

*** **** **** *** *** *** ** ** **** **...

** **** **** *** *** ******** ** **** **** ** a *** ****** ** *** ***** ********, "***, *** ***** seems ***" ?

** ****** *** ******* **** **** ******* *** ***** ** lag ***** ** *** *** **** **** *** *** ****** is, *.*. **** ***. *** ** * ******* *** *** might **** ******* *** ***** ******* **** *** *** *******. It's *** **** ** ******-*********. ** *** **** *** *** camera ***** ** ***** ** *** * ******* ******** **** the *****.

* *** *** *** *** ***** *** (**** **) *** wants *** **** *** ****** ** *** ****** ** *** room **** ** *** ****** **** ** *** ** *** to *** ****. ** ****** *****'* ******. ***** ******-*********.

*** ***** ** *** (***** **** ** ********) ******* *** audio **lag 20ms, (on a known in-sync track of course), watch for 10 minutes without a/b'ing anything, you might think its ok then. If not it sucks for you like perfect pitch can! Out of sync stuff bothers me too but not til >50 ms

******!

*** *** *** * ******** ******* ***** ********* ** *** streaming? ***** ******** ***** ****** **** **** ************* *** *********** and **** **** ****.

**** **** **** *** *** ***** *** (******** ***** ******) compression ***** ** ******* ** ****** ********. ** **** ************-***** cameras, *** **** ****** ** *.*** *********** (*********************), ***** ** **** ******* ** **** (*********) ********. ** this ****** *** ** **** * ******, *** * ***'* remember *** *******.

**** *** *** ******* ****** ********* (** ***) *** *** if **** ***** * ********* ********** ** *******.

******

** ** ***. *** * ******* *** ********* ** **. I **** *** ** **** ** **. ** ***** **** to **** **** ******.

** ***** **** ***** ** ****** ** *** ** *** highest. ****** ***** ***** ******, ** ** ***** ** ******. The *** **** **** ** ******, *** ******* ******** ** the ***** ******.

***'* ****** * *********-******* *****. ***** *** *** *********** ******* cameras **** *** ************ *** ***** **** *** **********.