Belvie, Very good question!
In general, there is a real issue when the lighting is a scene varies a great deal.
Recall that a camera can only have a singular shutted speed / exposure for the entire FoV/scene. For example, let's say the camera selects a 1/200s shutter speed. That will work well for capturing the bright areas and not having them be washed out. However, the tradeoff is that dark areas may be underexposed.
When you have significant variations of light, the best solution is true multi-exposure WDR.
Related, this is a fundamental weakness of panoramic cameras as the FoV area is so wide the probability that the camera has to capture very bright and dark areas simultaneously is quite high.
So if you can constrain a camera to only a similar range of light levels, great. But that may not be logistically feasible as you might have bright areas right next to dark ones.
The best bet is to go for true multi-exposure WDR cameras.